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this article over at wired



04/08/2003 17:09 - date

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my firm - the technical posse
my silversmithing - now a store
my dad - his projects
my mom - her artwork
rach - her blog
work history - old cv
school portfolio - old work
my photos - visual docs

rss feed - for main page
atom feed - semi-compliant
blogger - great, free blogging tool
movable type - very cool

schedules - need password
family album - need password
webmail - need password
mailbox settings - need password
mt admin - need password

storefront - pro bono project
friends of buck's rock - another
radar - completely inactive
dojo - da posse
nycwireless - i have a node
evan - furnaces r hot
phil - since 2nd grade
aman - illustrations
sat- brown, irwin 'n da boyz
coop - armin, brown, 'n mark






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this article over at wired makes the two new matrix films sound mind-blowing: "Fans will wear out their remotes replaying the scene on DVD, but what they won't see, even riding the Pause button, is a transition that happens early on. When Neo and Agent Smith walk into the courtyard, they are the real Reeves and Weaving. But by the time the melee is in full effect, everyone and everything on the screen is computer-generated - including the perspective of the camera itself, steering at 2,000 miles per hour and screaming through arcs that would tear any physical camera apart. This is virtual cinematography, but the most impressive thing about the Burly Brawl is that it doesn't look virtual at all. The digital faces of Reeves and Weaving could get past a flank of security guards, and the buildings surrounding the courtyard look dreary and lived-in - the grimy, unmistakable patina of the real."

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